You can add an extra element of professionalism and dynamism to your shots by using and investing in sliders. Join Rich and I this week as we explore the various methods, techniques, and types of sliders out there. Joining us is director of photography Kevin Bradley, sharing his expertise and personal tips for creating smooth tracking camera shots. Paying attention to what’s motivating your shot will help you decide which type of slider and camera speed to use; Kevin and I will take you onto the set of a music video to demonstrate various techniques of tracking and camera speed that will help you slide the camera to achieve the mood you’re after.
Posts Tagged ‘Robbie Carman’
Shooting with a GoPro allows you to mount it almost anywhere; its small size lets you really push the envelope when capturing your life experiences. Join Robbie and me as we get the GoPro flying with a quadcopter. We’ll walk through important steps on protecting a GoPro before it takes off, operating the quadcopter, and ensuring a smooth flight. Things could get a bit turbulent as you learn how to fly your camera, but the more you practice, the easier it becomes. Enjoy the ride!
Last week Rich and I explored a multi-camera workflow process in Adobe Premiere Pro CC. This week, we’ll take a look at the same workflow using Apple’s nonlinear editing software Final Cut Pro X. We’ll dive into the Final Cut Pro X workspace and show you various processing methods for multi-camera footage and the basics of multi-camera editing.
This week you’ll learn how to
• Post-process multi-camera footage in Final Cut Pro X
• Organize multi-camera shots in Final Cut Pro X
• Synchronize audio from multi-camera shots using click tracks
• Edit multi-camera footage in Final Cut Pro X
Have you ever worked on a multiple-camera shoot and been left wondering how to bring all the footage together? This week, join Rich and me as we explore how to process multi-camera footage from a music video shoot using Premiere Pro. We’ll step you through the post-production workflow required to create a multi-cam video that you can be really proud of.
Last week we explored how to capture time-lapse footage using a GoPro camera. This week Rich and Robbie take their time-lapse shoot to the next level, and demonstrate how to assemble raw GoPro footage into a finished time-lapse video using three popular software products: Adobe Photoshop, Premiere Pro, and After Effects.
1. How to import an image sequence with Premiere Pro
2. The correct presets you’ll need for processing time-lapse video with Photoshop, Premiere Pro, and After Effects
3. Nonlinear editing workflow with Premiere Pro
4. How to process and assemble a time-lapse video
Though known mainly for fast-paced action footage, the versatile GoPro camera is widely used for many different tasks. Because of its small size, you can mount it nearly anywhere to capture a variety of unique time-lapse shots. Join Robbie and Rich this week as they explore setting up and capturing time-lapse videos with a GoPro camera.
Feeling left out with our recent episode on creating film looks with Apple’s Final Cut Pro X? This week Rich and I will switch apps and show you how to use Adobe Premiere Pro’s color correction and effect features to give your video footage that dramatic “film” look. And just like before—it all starts in post-processing.
Check out the latest in digital cinema technology!
In this week’s episode, Robbie and Rich introduce the elegant and sophisticated Blackmagic Cinema Camera and its features. They’ll explore the camera from the inside out, covering focus, recording, and shot evaluation, and show you the RAW workflow you’ll need to bring a timeless feature-film look to your footage.