Getting unique and challenging camera angles for your footage can be tricky. But don’t worry—if a shot requires your DSLR camera to be in an inconvenient or hard-to-reach spot, you can control it remotely. Join Robbie and I this week as we explore an app called CamRanger that works with a small transponder device to let you control your DSLR from another location.
Posts Tagged ‘Rich Harrington’
Grain, shadows, highlights—getting the right film look hinges on how these three elements are handled. Last week we explored how to build film looks in DaVinci Resolve; this week we’ll look at the same process in Adobe SpeedGrade—an excellent color grading tool that’s particularly user–friendly and intuitive. Joining Rich and me again this week is colorist Patrick Inhofer, who’ll walk us through his personal techniques for achieving a film look in SpeedGrade using footage from a recent music video shoot.
It’s very expensive to shoot with film, but there are ways to create a film look in post–production. DaVinci Resolve and Adobe SpeedGrade are two popular apps you can use to color grade, and create film looks for your footage. Join Robbie and me along with our special guest, colorist Dan Moran, a London-based expert in DaVinci Resolve, as we demonstrate different ways you can use Resolve to transform your digital footage into a stylized film look.
In a multi-camera shooting workflow, matching your cameras is a must. Sure, you can take your footage to a colorist and have it matched in post–production, but it’s better to prepare well so you get consistent footage during production. Join Rich and me this week as we use the Blackmagic Cinema Camera and the Blackmagic Pocket Cinema Camera to demonstrate how we match up multiple cameras. We’ll then process our footage in DaVinci Resolve with expert colorist Patrick Inhofer.
Have you ever worked with a mirrorless camera? In mirrorless cameras, light doesn’t hit a mirror and bounce off of it like in DSLRs; it comes straight through the lens to the image sensor. And there are pros and cons to the mirrorless process.
Join Rich and I this week as we jump into the studio to demo three different mirrorless cameras while we capture a live recording, then compare and contrast the cameras’ picture quality and perspective in the final footage. We’ll also show you how flexible a mirrorless camera can be for your productions, supporting all sorts of lenses from Nikon, to PL, to FD mounts.
Often the best camera is the one you already have with you—like your iPhone. Shooting video with an iPhone today is comparable to using an actual video camera. The iPhone 5S includes many features such as 1080 HD video, 30 FPS, slow-motion video capability, and video stabilization, and in this episode Robbie and I walk you through the video features of the iPhone 5S and show how easy it is to take and make great videos.
You can add an extra element of professionalism and dynamism to your shots by using and investing in sliders. Join Rich and I this week as we explore the various methods, techniques, and types of sliders out there. Joining us is director of photography Kevin Bradley, sharing his expertise and personal tips for creating smooth tracking camera shots. Paying attention to what’s motivating your shot will help you decide which type of slider and camera speed to use; Kevin and I will take you onto the set of a music video to demonstrate various techniques of tracking and camera speed that will help you slide the camera to achieve the mood you’re after.