Getting stable shots while you’re in production is ideal—but it doesn’t always work out that way. When faced with shaky footage, there are different techniques you can use to stabilize it during post-production. Join Rich and me this week as we share our insight into stabilizing video footage using both Final Cut Pro X and Adobe Premiere Pro.
Posts Tagged ‘RHED Pixel’
Have you ever worked with a mirrorless camera? In mirrorless cameras, light doesn’t hit a mirror and bounce off of it like in DSLRs; it comes straight through the lens to the image sensor. And there are pros and cons to the mirrorless process.
Join Rich and I this week as we jump into the studio to demo three different mirrorless cameras while we capture a live recording, then compare and contrast the cameras’ picture quality and perspective in the final footage. We’ll also show you how flexible a mirrorless camera can be for your productions, supporting all sorts of lenses from Nikon, to PL, to FD mounts.
Shooting with a GoPro allows you to mount it almost anywhere; its small size lets you really push the envelope when capturing your life experiences. Join Robbie and me as we get the GoPro flying with a quadcopter. We’ll walk through important steps on protecting a GoPro before it takes off, operating the quadcopter, and ensuring a smooth flight. Things could get a bit turbulent as you learn how to fly your camera, but the more you practice, the easier it becomes. Enjoy the ride!
Last week Rich and I explored a multi-camera workflow process in Adobe Premiere Pro CC. This week, we’ll take a look at the same workflow using Apple’s nonlinear editing software Final Cut Pro X. We’ll dive into the Final Cut Pro X workspace and show you various processing methods for multi-camera footage and the basics of multi-camera editing.
This week you’ll learn how to
• Post-process multi-camera footage in Final Cut Pro X
• Organize multi-camera shots in Final Cut Pro X
• Synchronize audio from multi-camera shots using click tracks
• Edit multi-camera footage in Final Cut Pro X
Have you ever worked on a multiple-camera shoot and been left wondering how to bring all the footage together? This week, join Rich and me as we explore how to process multi-camera footage from a music video shoot using Premiere Pro. We’ll step you through the post-production workflow required to create a multi-cam video that you can be really proud of.
Though known mainly for fast-paced action footage, the versatile GoPro camera is widely used for many different tasks. Because of its small size, you can mount it nearly anywhere to capture a variety of unique time-lapse shots. Join Robbie and Rich this week as they explore setting up and capturing time-lapse videos with a GoPro camera.
Feeling left out with our recent episode on creating film looks with Apple’s Final Cut Pro X? This week Rich and I will switch apps and show you how to use Adobe Premiere Pro’s color correction and effect features to give your video footage that dramatic “film” look. And just like before—it all starts in post-processing.
Check out the latest in digital cinema technology!
In this week’s episode, Robbie and Rich introduce the elegant and sophisticated Blackmagic Cinema Camera and its features. They’ll explore the camera from the inside out, covering focus, recording, and shot evaluation, and show you the RAW workflow you’ll need to bring a timeless feature-film look to your footage.