A great way to create more interesting video perspectives is to raise your camera higher. Positioning the camera above any scene gives a unique view—and putting the camera into motion from that position can result in really dynamic shots.
In this week’s video, we look at a couple of tools for raising your camera up higher, and discuss techniques for getting the most out of elevated shots.
And yet he admits to employing this arsenal of stabilization only occasionally: for macro work, for low-light scenes, and for product photography. As Ben points out, the high-ISO capabilities of today’s cameras, combined with the vibration-reduction features found in most lenses, make carrying around a tripod less essential than it used to be. A tripod remains a big help when you’re shooting with slow shutter speeds—keeping you in crisp focus when there’s little light in a scene, or when you’re shooting at a small aperture setting to increase depth of field (sharpness from front to back).