Blur. We buy tripods and motion-stabilized lenses to avoid it, and we use Photoshop filters to try and fix it when it creeps into our shots.
But blur can also be a powerful tool for conveying a sense of motion in a static medium. A speeding car or motorcycle, a galloping horse or bounding dog, a cyclist on a track, a kid on a sled—subjects like these are natural candidates for some motion blur.
Blur is the subject of this week’s installment of The Practicing Photographer. Ben Long and his motorcycle are joined by lynda.com videographer Josh Figatner, and the two explore various techniques for capturing motion blur as Ben rides down a deserted highway.