Picking up where we left off, Bert shows us how to create realistic chrome reflections in the trim of a headlight. He begins by sharing a classic technique using the Adobe Photoshop Spherize filter that still works today. His is a more modern process involving the Warp tool to bend images into the reflections around the light. He finishes by adding a few additional layers with reflections from other areas of the scene.
Posts Tagged ‘Chrome’
In this week’s free-to-all InDesign FX video, I show how you can use gradients to create different chrome effects. A shiny metallic chrome effect is a great demonstration of the powers of a simple gradient fill like this one:
I’ll show you how to use a linear gradient to create a convincing chrome look in any InDesign object or live text with as few as four color stops. There’s no need to invoke InDesign’s transparency effects at all. The key is to simply drag the gradient stops very close together, so they’re nearly touching, to create a point somewhere in the gradient where colors shift abruptly.
When gradient stops rub elbows, an abrupt change in color happens, and that is what creates the illusion of chrome. Most commonly chrome gradients include some blue to represent a reflection of the sky, and some brown or black to represent a reflection of the ground, but feel free to take this idea and run with it. Experiment with various tints and colors to make your own chrome gradients, and remember, you can click and drag with the Gradient tool to apply your chrome gradient over any length and at any angle of your choosing.
If learning chrome effects doesn’t satisfy your shiny-object wishes, I have another new video this week exclusively for members of the lynda.com Online Training Library® called Creating Glass and Plastic Effects. Here’s an example of the glass effect discussed in the member-exclusive course:
Happy shiny-object Holidays from InDesign FX. See you here again in two weeks!