Lightroom Mobile is a new iPad app that might just change the way you work on your photos. When I first started using it as a beta-tester a few months ago, I was curious but not convinced. Truth be told, when it comes to new technology I’m a bit of a skeptic; apart from something being new, I want to know if it’s actually going to improve my life. Yet after a few weeks, my skepticism completely dissolved and I now consider Lightroom Mobile to be a game changer for photographers in the best possible way.
For the last seven years, working in Lightroom meant working on a traditional computer (desktop or laptop). But as the photographer’s toolkit expanded to include other devices like mobile phones and tablets, it seemed like Lightroom was missing the boat—that is, until now.
Lightroom Mobile isn’t just another make-your-photos-look-better app. Sure, it does that, but more importantly it extends your Lightroom Desktop workflow in a helpful way. Here’s how it works.
Remember the Star Destroyer blazing across the screen in the opening of Star Wars? Or Indiana Jones running from a giant rolling boulder in Raiders of the Lost Ark?
The opening moments of a film are crucial for capturing your viewers’ attention and getting them invested in your story from the start—especially on the Internet, where that “next thing” is just a click away. When planning our documentaries, we often put more time and resources into that opening scene than anything else.
As a director for the lynda.com Creative Spark documentary series, I’m lucky to profile designers, photographers, and other artists who have cool creative spaces or exciting creative processes and tools.
But Mike Winkelmann—better known online as Beeple—had none of those.
One pitfall is making dangerous assumptions—like assuming that it’s not your job to develop the talent around you. You’d think that with all the leadership-related books, blogs, and videos on the market, professionals would understand the importance of helping to develop those around them. But you’d be wrong.
This evening Windows XP will be taken off life support and pass into the ether of magnetic media. Loved by millions across the globe, XP will be missed by many. The child of Windows ME and Windows 2000, Windows XP joined the robustness of a 32-bit NT kernel with a friendly consumer interface, and proved to be greater than the sum of its parents.
In its early years, Windows XP was frequently derided as “garish” or “cartoonish,” but its tenacity eventually won over the hearts of millions. XP experimented in the mobile space with Windows XP Tablet Edition during its adolescence, which ultimately was a growing phase for the young OS that didn’t work out as expected. During a journey of minimalism, XP crammed itself onto pint-sized netbooks that gave people half as much to carry, but took four times as long to launch anything.
Last week on Monday Productivity Pointers, we explored writing a claim letter to report either a faulty product from, or poor experiences with a company.
This week we’re going to keep the momentum going—but instead of writing a letter, we’ll look at reasons why it may be quicker and more effective to use online chat for customer service issues, if the option is available.
Grain, shadows, highlights—getting the right film look hinges on how these three elements are handled. Last week we explored how to build film looks in DaVinci Resolve; this week we’ll look at the same process in Adobe SpeedGrade—an excellent color grading tool that’s particularly user–friendly and intuitive. Joining Rich and me again this week is colorist Patrick Inhofer, who’ll walk us through his personal techniques for achieving a film look in SpeedGrade using footage from a recent music video shoot.