Archive for the ‘Photography’ Category

Master your flash with Strobist’s David Hobby

Published by | Friday, May 10th, 2013

David Hobby shooting in the studio

If you love photography and you have an external flash unit, you need to know about Strobist. This blog, published by photographer David Hobby, has been a rich learning resource since 2006—packed with tutorials, reviews, and do-it-yourself projects.

David has also published a series of video tutorials, and we’re happy to announce that they’re coming to the lynda.com library. In the six-part “Lighting with Flash” series, he shows how to use external flash in a wide range of scenarios, from portraiture to action sports to macro and close-up. These aren’t courses that tell you which buttons to press on your flash. Rather, each course is an opportunity to follow along with a working professional as he uses compact flash units to transform the lighting in a studio, in a gym, on a soccer field, in a blacksmith’s shop, and much more.

The first course, Lighting with Flash: Basics, is available now. Each week we’ll publish another course in the series. The series will conclude with an inspiring course that may just change how you approach photography, whether you’re an enthusiast or a pro.

As a teacher, David Hobby is a natural with an engaging, informal style. I’ve loved his blog for years, and it’s been a pleasure to work with him to bring his video training to lynda.com members.

Interested in more?
Start a 7-day free trial at lynda.com
● All Photography courses on lynda.com

Deke’s Techniques: Defringing purples and greens in Camera Raw

Published by | Tuesday, April 16th, 2013

Learn how to get rid of a special variety of color distortion called color fringing that’s at work inside your digital photographs. Color fringing falls into two color ranges—purple and green—which are color complements, falling on opposite sides of the color wheel. In this week’s Deke’s Techniques, Adobe guru Deke McClelland shows you how to identify and remove color fringing inside Camera Raw, and ensure that you get accurate color corrections.

Note that these instructions work best with Camera Raw 7, which ships with Photoshop CS6. If you’re working in an older version of the program, check out the videos at the end of this tutorial.

The original, fringed image

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Our team’s New Year’s learning resolutions, inspired and supported by the lynda.com library

Published by | Tuesday, January 8th, 2013

Although the New Year’s resolution lists that proliferate in late December are full of worthy goals, my favorite remains “learn something new.” This time of year, I like the theme of giving in to expansion over contraction, generosity over deprivation, and passion over willpower. The staff, authors, and members here at lynda.com know that our library is a great resource to have if learning is on your life list.

Although many of us on the Content team work in a specific segment of the library, we can’t help but notice the intriguing courses our colleagues are developing in other areas. This year I asked members of the team, acknowledged enthusiasts in their given fields, which areas outside their usual sphere of knowledge are capturing their interest. Here are their answers and some suggestions for where they might want to start (or where you might want to start if you share the same interest).

Morten Rand-Hendriksen, staff author, Web segment
“Over the holidays I want to power through all the photography courses in the archive. Because it’s been a long time since I sat down and really tried to improve my photography skills. I also really want to become a more creative designer/artist, so I’ll be looking into any course that helps me in that respect.”

Recommendation: If you can’t get through the whole Photography segment in one holiday week off, you might try Foundations of Photography: Composition to start. Ben Long teaches principles that definitely go beyond photography into general artistry.

Jess Stratton, staff author, Business segment
“I’d like to learn something for the sake of a hobby this year—getting back into playing the keyboard and recording it somehow, but I don’t know how to start getting it from my keyboard into the computer. I want to check out the course on recording music using an iPad.”

Recommendation: Garrick Chow’s iPad Music Production series is the place for Jess and like-minded musicians. The first course—iPad Music Production: Inputs, Mics, and MIDI—is a great place to start (although if you’re up for playing on an iOS device directly, the GarageBand installment makes making music on your iPad look really fun).

David Franz, content manager, Audio segment
“Social media marketing … I want my music to rock the world! :) .”

Recommendation: I’ve noticed David isn’t the only musician who knows that thriving in the music business requires a direct relationship with fans via social media. Until David develops that perfect course expressly for musicians, there’s great material for getting started in our Social Media Marketing with Facebook and Twitter course.

Mordy Golding, director of content, Design and Photography segment
“I’ve been teaching myself Processing—the computer language. I’m interested in finding better ways to visualize data.”

Recommendation: A few months ago, our Developer group released Interactive Data Visualization with Processing. Processing is a tool that can literally change data into (beautiful and useful) art.

Elinor Actipis, director of content, Rich Media segment
Doug Winnie, director of content, Web and Developer segment

Both Elinor and Doug mentioned sharpening their advanced Excel skills, particularly with respect to data analysis. (Is it a coincidence that our directors are all about visualization of data?)

Recommendation: Our Excel library is vast and valuable, but for data crunching, one of my favorite courses is Cleaning Up Your Excel Data with Dennis Taylor. Dennis has great tips for efficiently wrangling all those numbers into consistent tables, making analysis both easier and more accurate.

George Maestri, content manager, 3D and Animation segment
Matt Gilbert, associate content manager, Business segment
Jim Heid, content manager, Photography segment

These three content managers from three different segments all mentioned wanting to learn about ebook publishing and iOS apps as content containers.

George notes: “I had a few cartoon pitches that got lost in development when I was at the studios. I figure releasing them as books/apps would be a fun distraction.”

And Jim: “Ebook publishing is hot among photographers. And as someone who grew up with tape recorders, movie cameras, and cameras, I have a lot of “family assets” that I’d like to turn into a little interactive memoir for my family.”

Recommendation: We’ve got excellent courses on iBooks Author, iOS app creation, EPUB with InDesign, and using jQuery in your digital magazine. If you don’t know where to start, Digital Publishing Fundamentals runs down the options you have for turning your words and pictures into electronic works of art.

Links:
iBooks Author Essential Training
iOS app creation
EPUB with InDesign
jQuery
Digital Publishing Fundamentals

Rob Garrott, content manager, Video segment
“I’m going to try to get into a bit of coding. I should probably start digging into web coding, but that’s too much broccoli, so I might start with Python. That is a core component of truly advanced 3D animation, and I’ve been afraid to touch it.”

Recommendation: (Mental note: Broccoli is the new spinach!) Many members are happy to jump into Bill Weinman’s Python 3 Essential Training course. For those who want to warm up their veggies slowly, you may try Simon Allardice’s Foundations of Programming: Object-Oriented Design course.

Links:
Python 3 Essential Training
Foundations of Programming: Object-Oriented Design

Cynthia Scott, director of content, Business segment
“Top on my learning wish list is the On Camera series.”

Recommendation: The first of this series, On Camera: Develop Your Video Presence, immediately had me thinking of uses beyond straightforward video (it also had me knocking on Cynthia’s office door to share how valuable I thought it was to Business folk). In the days of Skype-based job interviews and high-stakes video conferencing, many of Rick’s suggestions prepare you for time in front of any camera, not just those destined for edited, produced video.

Ben Long, author, Photography segment
Finally, since so many of my interviewee colleagues mentioned Ben Long’s photography courses, I thought it would be interesting to ask Ben himself what he might be interested in learning from the library in 2013. True to his polymathic nature, he mentioned several things from iPhone development to Maya to WordPress. But perhaps he summed up the width and breadth of the lynda.com library (and the voracious appetite of any lifelong learner) when he asked:

“And where’s that course for adding 12 hours to one’s day?”

When we release “Changing the Laws of the Universe,” Ben, we’ll be sure to let you know. In the meantime, there’s Time Management Fundamentals.

What are your New Year’s learning resolutions? Let us help you find the lynda.com courses to get you on your way.

Introducing Jerry & Maggie: This is not photography

Published by | Wednesday, October 10th, 2012

The lynda.com documentary team is pleased to announce the release of Jerry & Maggie: This is not photographyour most ambitious film to date about photographers Jerry Uelsmann and Maggie Taylor.

Jerry & Maggie: This is not photography was shot in California, Florida, Wyoming, Massachusetts, and New Jersey, where we spoke with a diverse cast of museum curators, academic historians, digital wizards, and artists.

We spent over a week shooting with Jerry and Maggie at their compound in Florida, including an amazing six-hour session under safelights in Jerry’s darkroom to capture the first live documentation of Jerry creating an original piece of art. Fortunately, we were able to shoot this film on two brand-new Canon EOS C300 cameras, which have an ISO range up to 20,000!

We’ve entered Jerry & Maggie: This is not photography in a number of 2012 and 2013 film festivals. First up is the ArcLight Cinemas Documentary Film Festival in Los Angeles, where entry into the festival is contingent on community votes. If you’d like to vote for Jerry & Maggie: This is not photography, visit the ArcLight Cinemas Facebook page now through October 14, 2012 and select “Jerry and Maggie” in the Biographical/Historical Documentaries category. If you’re not on Facebook, you can also vote by clicking the Like button associated with the “Jerry and Maggie” trailer on the ArcLight Cinemas YouTube page.

We’re extremely proud of this film and hope you’re as inspired watching it as we were making it.

Director Scott Erickson with a Canon EOS C300 camera

Director Scott Erickson checking the shot with a Canon EOS C300 camera.

Cinematographer Mia Shimabuku with a Canon EOS 5D Mark II camera

Cinematographer Mia Shimabuku waiting for her next shot with a Canon EOS 5D Mark II camera.

Cinematographer Aron Ives with a Canon EOS C300 camera

Cinematographer Aron Ives shooting a scene with a Canon EOS C300 camera.

 

Interested in more?
• The entire Jerry & Maggie: This is not photography documentary
• All lynda.com documentaries

Suggested courses to watch next:
• Richard Koci Hernandez, Multimedia Journalist 
• Natalie Fobes, Photographer
• Rick Smolan, Photographer
• Bert Monroy, Digital Painter and Illustrator

Deke’s Techniques special edition: Show us what you’ve learned

Published by | Tuesday, July 17th, 2012

Deke’s Techniques has been a ‘living’ course of Photoshop and Illustrator tutorials that has grown over the past year and a half. This week’s Deke’s Techniques not only celebrates the entire collection of well over 100 techniques Deke has created so far, but also challenges you to show us what you’ve learned from them in a home-recorded training video of your own.

Riffing off things he’s shown you in Deke’s Techniques episodes 9557782, and 94, this week’s tutorial shows you how to take past techniques and creatively work them together to transform an ordinary car in a mundane environment, into a ravishing hot rod, complete with posh background and glamorous flame stripes.

To do this, you must think creatively about how Deke’s past masking, composition, and other special effects techniques may be applied to a project other than those demonstrated in the weekly videos, and also about how those new-found nuggets of information could work with one another.

Car with paint, flames, and new background applied in Photoshop.

As an added bonus, there are also five free tweaked techniques available on lynda.com this week that show you how Deke took the original techniques and adapted them for this mega car transformation project:

–Masking and blackening a car (based on episode 055)
–Drawing a multi-part vector mask (based on episode 082)
–Masking and painting a shadow (based on episode 094)
–Integrating blades of grass into tires (a bonus bonus video!)
–Making a (ridiculously) dramatic sky (based on episode 077)
–Adding flame stripes to a car (based on episode 009)

To help you with the challenge portion of this week’s Deke’s Techniques, we’ve also put together an area on lynda.com that includes the special techniques listed above, as well as a series of bonus videos on how to record a training video of your own. You’ll need this information because Deke is challenging you this week to do what he has done—combine multiple techniques into one fabulous training video.

Deke’s Techniques: The Challenge is a three-category contest—Photoshop, Illustrator, and “Anything Goes”—so you can use your weapon of choice. In each contest category, you’ll take what you’ve learned, or gleaned, or surmised from three separate Deke’s Techniques tutorials, combine them into one project, and make a training video of your own to explain it.

The complete rulesillustrious judges, and fabulous prizes are all explained at deke.com. (Hint, there may be a lynda.com subscription and Adobe CS6 package amongst said fabulous prizes.)

Watch this week’s video to see Deke’s approach, then get to work creating one of your own.

Deke will be back next week with another free technique (which may just be the thing you were looking for to complete your challenge video)!

 

More Information!
The entire Deke’s Techniques collection
Deke’s Techniques: The Challenge support page at lynda.com
Contest entry rules and info at Deke.com.

Low-light photography: What you can shoot, and why it’s an opportunity, not a hindrance

Published by | Friday, June 22nd, 2012

Very often you know what the subject you want to shoot is, but light levels in the scene are low enough that getting the shot can be difficult. For example, maybe you’re at a holiday dinner with your family, you know you want to shoot your relatives and the food, but the room is lit only by candles. Although light like this is going to make it hard to freeze motion and get a sharp image, the low room-lighting doesn’t mean you have to put down your camera. If you know how to work with it, low light can open up a world of new photographic possibilities. In this blog I’ll discuss some factors to keep in mind when shooting in low-light, including decreased visibility, textures created by lighting, and other plays on light like reflections, shadows, and splashes. I’ll also discuss ways of rethinking these hurtles that will help you think of your low light as a creative tool so you never again miss a photo opportunity due to less-than-optimal lighting conditions.

Now it’s a fairly obvious statement to say that the world looks very different at night or in very low light, but let’s think for a minute about why it looks different. First, with less light, some things are simply less visible. That lack of visibility in itself can really change the point your eye is drawn to in an image. In other words, in low light, the subject of a scene may shift dramatically simply because of what’s visible. During the day we mostly live by sunlight. When the sun goes down other light sources take over, and those light sources are not always as high overhead as the daytime sunlight. This change in the direction of lighting can lead to very different textures in a scene, which also can have a heavy influence on what the subject of the scene is. Rather than thinking of the low light as a hindrance, keep an open mind and consider that very often this different type of lighting can be an interesting subject in itself.

Low-light photography beach photo side by side.

The type of lighting you get in low-light situations is another factor to consider. Sometimes the type of lighting you get at nighttime or with dim light can create plays of light such as reflections, highlights, interesting shadows, and splashes of light that simply do not exist in the daytime. There can be all sorts of light features that don’t appear in the same scene under brighter light. As you learn to shoot in low light, you’ll naturally hone your ability to capture images that can be difficult, and you may also find yourself discovering shooting opportunities that you simply had not seen before, possibly in locations that you are already familiar with. Learning to shoot in low light is as much about learning to see differently and recognize a different type of subject matter as it is learning any particular technical process. That unto itself makes the study of low-light shooting a worthwhile pursuit, no matter how frequently, or infrequently, you ultimately end up doing it. In the end, the more you can learn about seeing, the better all of your photography will be.

Low-light photography building photograph side by side.

This blog is an unlocked excerpt from chapter one of Ben Long‘s Foundations of Photography: Night and Low Light course. If you’re interested in learning more about the tools, creative options, and special considerations involved in shooting with a DSLR camera at night or in low-light conditions, check out the introduction to the course below, then head over to lynda.com to view the entire course.

 

Interested in more?
• The entire Foundations of Photography: Night and Low Light course on lynda.com
• Courses by Ben Long on lynda.com
• All Photography courses on lynda.com

Suggested courses to watch next:
Foundations of Photography: Exposure
• Foundations of Photography: Lenses
• Foundations of Photography: Composition
• Foundations of Photography: Black and White

 

iPhoto and Photoshop integration: Editing iPhoto images with Adobe Camera Raw

Published by | Friday, May 18th, 2012

After watching our popular Photoshop CS5 Essential Training course, and hearing all about the photo-developing power of Adobe Camera Raw, one of our members wanted to know how to open her JPEG files in Adobe Camera Raw directly from within iPhoto. With a few Preference-setting hoops to jump through, it is entirely possible to set up iPhoto and Photoshop so that you can use iPhoto as your Photo organizing database of choice and still use Camera Raw in Photoshop to edit your JPEGs. Here’s a quick video tutorial that shows you the path of least resistance:

Note that for quick one-way edits (meaning you don’t have any need to go back to iPhoto with your newly edited image), you can set the Photoshop preferences as shown in the video, then simply drag an image from your iPhoto preview window onto the Photoshop icon in your dock  and the image will open in Adobe Camera Raw (ACR). Also note, while I recorded this in Photoshop CS5, the preference settings are identical in Photoshop CS6. As a bonus, if you’re already using Photoshop CS6, expect to see some improvements to ACR developing, too.

Please keep the feedback and the thoughtful questions coming, we appreciate it. Do you have any follow-up questions you’ve noted after completing a lynda.com course? We’d love to hear them!

 

Interested in more?
• All Design courses on lynda.com
• All Photoshop courses on lynda.com

Suggested courses to watch next:
Photoshop CS6 Essential Training
Photoshop CS5 Essential Training
Photoshop and Bridge CS5 for Photographers New Features
Photoshop CS6 for Photographers: Camera Raw 7

This week’s Featured Five (plus one): New features in Adobe’s Creative Suite 6

Published by | Monday, April 23rd, 2012

In honor of yesterday’s announcement of Adobe’s Creative Suite 6, and the six newly released CS6 New Features courses on lynda.com, I thought this week’s Featured Five collection should expand to showcase six free movies from the lynda.com library. All of our new CS6 New Features courses (Photoshop, InDesign, Illustrator, Dreamweaver, Flash, and Fireworks, plus Premiere Pro and After Effects CS6 which were released on April 12, 2012) are designed to help you discover the latest software updates, and how the new features may fit well with your workflow needs. With the introduction of the new Adobe Creative Cloud subscription model, which allows you to pay a flat fee to access all of the Suite applications, finding out what’s new across the Suite may now be more important than ever as you’ll be faced with new decisions during the upgrading process. To give you an idea of what our CS6 New Features courses have to offer, here are six free-to-everyone movies that discuss some of the interesting new abilities of the CS6 flagship applications. After you’ve checked out the featured six, make sure to let us know in the comments section which CS6 features have you the most intrigued.

1. Photoshop CS6 for Photographers New Features
You may have explored the Photoshop version of CS6 already, given that a public beta has been available for a few weeks. In Photoshop CS6 for Photographers New Features, Chris Orwig reviews the key features that are going to make a difference specifically for photographers. Some of the new features in Photoshop are pretty significant (not to mention extremely cool), but the one that might actually affect the most Photoshop users is the revamped Crop tool. In this free movie Chris demonstrates how the new Crop tool works in a much less destructive way than Crop tools of the past:

 

2. Illustrator CS6 New Features
Having just celebrated its 25th anniversary, Illustrator is a fairly mature product in the software world. Despite it’s industry years, there is no lack of interesting upgrades to the vector graphic program this year. For one thing, you’ll notice that like Photoshop, Illustrator has gone to a dark interface, which gives it quite a modern look despite its advanced age. There are also a few cool new ways to tackle old tricks, including a vastly updated pattern creator. Here’s a free movie from Justin Seeley‘s Illustrator CS6 New Features course that shows how the new Pattern Options panel works:

 

3. InDesign CS6 New Features
When I asked the author of this course, Anne-Marie Concepcion, what her favorite feature from InDesign CS6 was, she said, “I think my favorite feature would be the Auto-Size text frames option. It’s not exciting like the neat-o Liquid Layout, but Auto-Size is something I can use right now and something I will be using every day.” It’s always those features that you use every day and can’t remember living without that make a software upgrade significant, even if they’re not the sexiest new technology options. In this video from the InDesign CS6 New Features course, Anne-Marie talks about the new Auto-Size text frames option and why it makes her life easier:

 

4. Dreamweaver CS6 New Features
Dreamweaver CS6 has a bunch of new features, including interface, optimization, and FTP support enhancements, but it’s the CSS capabilities that have author James Williamson intrigued. By employing the CSS Transitions feature housed in a convenient new Dreamweaver panel, you can easily add and manage your transitions. You don’t need to take my word for it, though, you can hear the enthusiasm for Dreamweaver CS6′s support of CSS transitions in James’ voice in this free movie from the Dreamweaver CS6 New Features course:

 

5. Fireworks CS6 New Features
Fireworks is the Creative Suite app that helps you produce optimized web graphics for any device. In this excerpt from Fireworks CS6 New Features, Ray Villalobos shows off his favorite new Fireworks feature, which is support for creating and exporting CSS Sprites. In the video, Ray demonstrates how you can now use Fireworks to simultaneously help with graphics and the hover state of graphics:

 

6. Flash Professional CS6 New Features
The CS6 version of Flash Professional has new support for 3D, and a new framework for exporting HTML. In this free movie from Flash CS6 New Features, Anastasia McCune focuses on the new Captive AIR runtime option for creating Android, OSX, or Windows apps. You can now decide if you want your Flash apps to run with Captive AIR embedded or if you want to require that users download the AIR runtime. In this video, Anastasia considers why you might want to choose one option or the other:

If you’d like to see more free CS6 tutorials, we’ll have a lot more coming to lynda.com in the next few weeks. While you’re checking out the new CS6 Suite, also keep in mind that 10 percent of all lynda.com content is free to try. Just click on any of the blue links on any course table of contents page in our library to watch unlocked videos.

Free Movies

I’ll be back next week with five more free selections—but in the meantime, I’ll be checking out what CS6 has to offer. Which CS6 features do you have your eye on?

 

Suggested courses to watch next:
Photoshop CS6 for Photographers New Features
Illustrator CS6 New Features
InDesign CS6 New Features
Dreamweaver CS6 New Features
Fireworks CS6 New Features
Flash CS6 New Features