This week Bert finishes up his trilogy of tutorials on how he created his digital painting of a railway scene, “Damen.” Today’s tutorial explores how to create realistic rust from scratch in Adobe Photoshop, an effect he put to good use weathering the metal surfaces of his painting.
Design - Post archive
There are two Polygon tools in InDesign: the basic shape tool called (unsurprisingly) the Polygon tool, and the Polygon Frame tool. Although it’s the “basic” version, the regular Polygon tool offers you quite a bit of drawing power. It can help you draw polygons from 3 to 100 sides, quickly and easily.
In today’s free episode of InDesign Secrets, Anne-Marie Concepción shows you a couple of tricks for working with the Polygon tool and creating a variety of multisided shapes. She’ll even show you how to vary the number of sides and the inset on the fly, as you draw. Plus, learn how to take advantage of the Polygon tool’s “sticky” settings and convert any shape to a polygon using the Object menu.
It’s hard to capture architecture in standard photographs—especially contemporary architecture such as the Guggenheim Museum Bilbao in Spain, which can call itself, without boasting, “the most important structure of its time.” Buildings like the Guggenheim Bilbao and its surrounding landscape are what panoramas are made for.
In this episode of Deke’s Techniques, Deke shows how to stitch 19 different photographs of the museum into a gorgeous panorama in Photoshop, and then use the Adaptive Wide Angle filter to correct any distortion that results. The technique quickly revisits the Photomerge feature covered in previous episodes and then shows you how to straighten and correct details in the image using the filter’s Correction options. Deke also crops the photo and rebuilds missing areas of the sky with Content-Aware Fill—and corrects any of the telltale, repeating details this tool can sometimes introduce.
This week, Bert continues to explore the digital techniques that went into his painting “Damen.” Today’s tutorial focuses on how to create bolts and rivets from scratch in Adobe Photoshop.
Create blank lines for your forms and contracts the easy way in InDesign. David Blatner reveals his secret for adding blank lines inside running text and at the end of a line: rules. When you want to add them after text, simply select the text, open the Paragraph Rules dialog, and enable Rule Above and Rule Below. You can then adjust properties like weight, offset, width, and indent to fit your layout. You can even transform your custom rules into a paragraph style, so you can add more blank lines with a single click.
You’ve got a great location, a great group of friends, a great camera. All the makings of a great shot, right? But you get the file off the camera and onto your computer and lo and behold: a photobomber appears. Some person detracting from the main event, intentionally or not. Happily, with the tools in Adobe Photoshop, you can remove unwanted guests or any other undesired elements from your photographs. You don’t even need the latest version of Photoshop. In fact, in this week’s episode of Deke’s Techniques, Deke takes you through the old-school method for removing a photobomber from an otherwise fantastic photo. These are results you’re not going to get with Content-Aware Fill, the Patch tool, or even the brand-new Content-Aware Move tool. No, you have to go back to the basics. We’re talking Photoshop version 3, circa 1994 basics. Watch today’s free video to learn how.
This week Bert begins digging into the making of his digital painting “Damen,” which will be his focus for the next few episodes of Pixel Playground. Today’s tutorial shows how he created multiple train cars for the painting.
Bert deconstructs how he built the face of the train from a series of Photoshop layers. Next he takes a complete train and scales it into the proper perspective with a slight tilt to add a sense of movement on the tracks. And he wraps this week’s tutorial up by showing how to repeat this technique a few more times and create an even longer train.
Have you ever noted a second number in the Type Size field in Adobe InDesign? Set off in parentheses? For example, 12 pt (27.86). The first number is the original text size, the size you set, while the other is the new size after scaling.
You may find this information useful on occasion, but most designers find it annoying. The parentheses are due to a preference called Adjust Scaling Percentage, which used to be selected by default in older versions of InDesign. It’s a situation that’s remedied in InDesign CC, but sometimes the preference gets changed accidentally or you may find it turned on in a document from a designer that uses an older version of InDesign. This week in InDesign Secrets, Anne-Marie Concepción shows you how to change the preference, update text frames that have carried the preference with them, and get rid of those pesky parentheses.