Author Archive

The techniques and community of iPhone photography

Published by | Wednesday, February 22nd, 2012

Perhaps you’ve heard the saying “the best camera is the one that’s with you.”

For millions of people, that camera is an Apple iPhone. The iPhone’s popularity has led to a flood of photography-related apps and a thriving community of iPhone photographers who meet up in person and share photos using the wildly popular Instagram site.

The iPhone’s popularity as a camera has also led to our first course devoted to “iPhoneography.” The course, called iPhone Photography, from Shooting to Storytelling, is taught by Richard Koci Hernandez and is our latest photography course.

When we set out to do a course on iPhone photography, it was obvious that we needed to cover shooting tips and cool photo apps, but we also wanted to celebrate the iPhone photography community. We wanted to show the fun and mutual inspiration that comes from sharing visual stories with other people. We wanted to capture the spirit of communal creativity that happens when photographers get together and interact.

Our opportunity came last October, when the world’s first iPhone photography conference took place in San Francisco. We attended the conference and shot video of the sessions and then enjoyed shooting a morning photo walk through San Francisco’s Mission District. We even used the iPhone 4S to shoot some of the photo walk video.

iPhonography photo through an iPhone 4S

Shooting with Richard Koci Hernandez during the 1197 Conference photo walk. Photo Credit: Jim Heid

After the conference, we hit the road with author and multimedia photojournalist Richard Koci Hernandez. We tagged along as he went shooting on the streets of Los Angeles, and then we returned to the studio, where he shared tips for his favorite photography apps as well as insights on the art of visual storytelling.

We think the course reflects the creative excitement surrounding the world of iPhone photography. It was a fun course to work on, and we hope you’ll find it a fun course to watch.

(And if you’d like to hear more from Richard Koci Hernandez, don’t miss the Richard Koci Hernandez, Multimedia Journalist Creative Inspirations documentary we did about him last year.)

Interested in more?
• The full iPhone Photography, from Shooting to Storytelling course
• All Photography courses on lynda.com
• All courses from Richard Koci Hernandez on lynda.com

Suggested courses to watch next:
iPad Tips and Tricks
iPhone and iPod touch iOS 5 Essential Training
Richard Koci Hernandez, Multimedia Journalist
Organizing and Archiving Digital Photos
Creating Photo Books with Blurb

Tour the Lightroom 4 Beta with Chris Orwig

Published by | Saturday, January 14th, 2012

Earlier this week, Adobe released a public beta version of Lightroom 4, its popular photo-editing and asset-management software for Macs and Windows PCs. The new version is free for the testing: you can download it, try it out, and provide feedback that may influence the final version.

To help you get up to speed with what’s new, we’ve published Photoshop Lightroom 4 Beta Preview with Chris Orwig. It’s a two-hour tour of Lightroom 4′s new features including its enhanced photo- and video-editing features, its ability to tag your photos to a map, and its Blurb book-layout module.

And because free is a very good price, we’ve made the entire course free, meaning, you don’t have to be a lynda.com member in order to watch it. But as they say on the TV commercials for knives that can slice through Kryptonite, act now to take advantage of this limited-time offer. The Lightroom 4 beta software expires at the end of March, and when it does, we’ll retire this course.

We will be updating the blog periodically with posts that spotlight some of Lightroom 4′s new features, but if you’re curious to see what’s new right now, download the beta preview and check out Chris’s course. Just keep in mind that the software is in prerelease form. It likely has bugs, and you shouldn’t use it for anything critical, including slicing through Kryptonite.

 

Interested in more?
• The full Photoshop Lightroom 4 Beta Preview course
• All Photography courses on lynda.com
• All courses from Chris Orwig on lynda.com

Suggested courses to watch next:
Organizing and Archiving Digital Photos
Creating Photo Books with Blurb

Photoshop Lightroom 3 Essential Training
Aperture 3 Essential Training

Scene on the Street: Focus on street photography

Published by | Monday, October 31st, 2011

Street photography captures people at their most unguarded. There’s no posing, no preparation, and no encouragement involving the word “cheese.” Just point and shoot—often without even breaking stride.

Street photography is an honorable photographic genre that counts among its practitioners such legends as Henri Cartier-Bresson and Pedro Meyer. It’s a genre I’ve experimented with when traveling precisely because of its candid quality: If part of what makes a place is its people, then capturing unposed photos of those people is a critical part of documenting the essence of a place.

In Le Marais, Paris. Photo: Jim Heid

But street photography is also potentially controversial, and we’ve noticed a lot of blog and Twitter chatter about it lately. Part of the controversy deals with privacy: does a photographer have a legal right to photograph someone without his or her permission? The general guideline, at least in the United States, is yes, provided that the subject is in a public place where there isn’t an expectation of privacy, such as a sidewalk, a park, or a street.

Another part of the controversy deals with what I’ll charitably call bad manners. Some street photographers employ a paparazzi shooting style that involves putting their cameras uncomfortably close to a stranger’s face—sometimes even hiding around corners or behind phone booths before doing so.

Besides being rude, this style of street photography destroys exactly what the genre does best: capturing people at a moment when being photographed is the last thing on their minds. Look at some paparazzi-style street shots, and you’ll see photos of people who are startled, annoyed, or hamming it up for the camera. In all three cases, the candid, unguarded moment is lost.

The blog SnapSort recently published a post showing examples of how and how not to do street shooting. The lynda.com Creative Inspirations documentary about Richard Koci Hernandez also discusses the subject. Here’s an excerpt.

Since we shot that documentary, Koci has embraced Apple’s iPhone as a tool for street photography. A couple of weeks ago, he led photo walks through San Francisco and discussed iPhone photography at the 1197 conference in San Francisco. As one of the sponsors of the event, lynda.com was there shooting video for an iPhone photography course.

Douglas Kirkland and Gerd Ludwig discuss photography, business, and Chernobyl

Published by | Thursday, June 30th, 2011
Photojournalist Gerd Ludwig at his home in Los Angeles (Jim Heid photo).

Photojournalist Gerd Ludwig at his home in Los Angeles (Jim Heid photo).

Successful photographers must combine their creative passion with the ability to evolve along with the industry—and the economy. That’s just one of the messages in our new course, Douglas Kirkland on Photography: A Conversation with Gerd Ludwig.

In this latest installment of his series, Douglas visits his friend Gerd Ludwig, a photojournalist best known for his work in National Geographic magazine. Ludwig has taken a special interest in Russia and the former Soviet Union—in particular, the people and stories surrounding the Chernobyl nuclear power plant.

Ludwig has photographed Chernobyl several times over the years. He wanted to return to document the conditions there today, but support from the traditional publishing industry wasn’t there. So he turned to the crowd—specifically, to Kickstarter.com, the crowdfunding website. He created a project proposal containing text and video descriptions of his project. He raised more than $23,000 from 435 backers and in March, he departed for Chernobyl.

Douglas visited with Ludwig in his home on the day before he left, and the course includes a tour of his gear and a look at how he packs for an expedition. When he returned, he and Douglas met in our studio to look at Ludwig’s photos and talk about Chernobyl today.

Capturing the conversation between Douglas Kirkland and Gerd Ludwig (Jim Heid photo).

Capturing the conversation between Douglas Kirkland and Gerd Ludwig (Jim Heid photo).

On his latest trip, Ludwig also shot video in the depths of the poisoned reactor using a tiny video camera strapped to his protective helmet. As he says after he and Douglas watch the footage, video is “the new work of a photojournalist or documentary photographer.”

And Ludwig’s photos? They’re powerful and moving visual essays on the nightmare of Chernobyl and on how the area is being changed by residents who have moved back, and, incredibly, by tourists who visit to take photos.

Douglas Kirkland on Photography: A Conversation with Gerd Ludwig is a bit of a departure for us, a combination of instruction and inspiration. We hope you’ll watch and let us know what you think.

Poll: Help us name—and define—a course on scanning

Published by | Monday, April 25th, 2011

When was the last time you used a scanner? No, not the kind that prices your Oreos or peruses your carry-on bag. I’m talking about the kind of scanner that turns pictures into pixels and doubles as a photocopier and business machine.

Although photography is decidedly digital these days, the desktop scanner still has its place. You might have old photographic prints, negatives, or slides that yearn to be seen and shared along with their digital descendants. You might shoot film when you want that analog look. You might have logos and other line art that need to end up in illustrations or page layouts.

These are just a few of the reasons why we’re working on some courses covering scanners and the scanning topics that matter in today’s world.

And it’s why we’d appreciate your help.

Below you’ll find a poll containing a list of working titles for a scanning course. Which name do you like best?

Which scanning course sounds best to you? Choose one:

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If you have an extra moment, we’d love your comments regarding scanners in general. Is yours dusty and disused? Is it an essential part of your digital life? Or does it fall somewhere in between, in that I-use-it-now-and-then neighborhood?

Most important, what would you like to see in a modern scanning course? What scanning concepts, topics, projects are important to you?

Introducing the Douglas Kirkland photography series

Published by | Wednesday, March 16th, 2011
Douglas Kirkland. Photo by Jim Heid.

Douglas Kirkland. Photo by Jim Heid.

Douglas Kirkland’s passion for photography began in his youth and launched a six-decade journey that shows no signs of slowing down. His biography is the stuff of dreams for a photographer. As a staffer at Look and Life magazines, he traveled the world on assignment during the golden age of American photojournalism. He has also worked on the sets of over 100 films, photographing stars ranging from Marilyn Monroe to Michael Jackson. He has photographed astronomical observatories in Chile and railroads in Siberia. He’s published several books, and his photos have been showcased in exhibits worldwide.

It’s as impressive a résumé as you’ll find in the photographic world.

But when I met Douglas Kirkland, what impressed me most was his warmth and his generous spirit. He loves connecting with people. He loves what he does and he loves sharing his photographic passion and knowledge.

These traits are immediately obvious in Douglas Kirkland on Photography, a new monthly series in the Online Training Library®. Each month, Douglas explores a variety of real-world photographic scenarios. Follow along on a photo shoot as Douglas describes his technical and creative processes. After each shoot, Douglas reviews the results and points out the differences that can separate a good photograph from a better one.

Douglas’s tools are as diverse as his subjects. He might shoot with a digital SLR one day, a medium-format film camera the next day, and an 8×10 Deardorff view camera on the day after that. He’ll use strobes for one shoot and natural light for another. The subject is what matters, and Douglas chooses his tools accordingly.

You’ll see each of these tools in action in our new series. And because sustaining a six-decade career means being able to adapt to changing business conditions, you’ll also hear insights into the business of photography.

In the first installment of the series, Douglas shows how he works with natural light to create beautiful portraits. Next month, we’ll head into his studio for a look at shooting under the lights.

It’s a thrill for all of us to work with Douglas and his wife and business partner, Francoise, on this series. We’re eager to hear what you think of it—and what you’d like to learn from Douglas in future installments.

For an introduction to Douglas and his work, see our Creative Inspirations documentary that features him.

The lynda.com Foundations of Photography series looks at concepts and techniques

Published by | Wednesday, December 29th, 2010

This week, we published Foundations of Photography: Exposure, an in-depth look at the concepts and techniques behind photographic exposure—from shutter speed, aperture, and ISO to depth of field, histograms, and reciprocity.

Author and photographer Ben Long, whose first lynda.com course was Photoshop CS5: Landscape Photography, shows how going beyond your camera’s auto-everything mode is an essential step to improving your photography. Indeed, one of Ben’s key messages is that once you really understand your exposure options, you can take advantage of them to get the kind of creative results you want.

Ben’s course is the first in our new Foundations of Photography series, which examines aspects of photography that go beyond specific cameras or specific versions of Photoshop or Lightroom. We think it’s as important to master these foundations as it is to master the latest versions of Photoshop, Lightroom, and other software tools.

One of our resolutions for the new year is to complement our tool-oriented courses with new courses that teach photographic foundations, that let you tag along with professional photographers and understand their technical and creative processes, and that combine instruction and inspiration.

Foundations of Photography: Exposure is the first of this new breed. Please let us know how you like it, and let us know what other types of foundational topics you’re interested in—not only in photography, but in other areas, too.

Happy New Year!

Taking the long view on landscape photography

Published by | Thursday, July 22nd, 2010

Last week, we published Photoshop CS5: Landscape Photography, a new course from Ben Long. Ben is a veteran photographer, teacher, and author. I’ve been reading his articles on photography and Photoshop for years, and my copy of his book, Complete Digital Photography, is as dog-eared as my dog’s ears.

True to its name, Ben’s course focuses on using Photoshop CS5 to make landscape photos look their best—to optimize their appearance and composition in ways that do justice to the original scene.

And because photography isn’t just about Photoshop, Ben and our live-action crew ventured into the great outdoors to shoot some downright gorgeous on-location movies that deal with everything from choosing equipment to shooting images for panoramas and high-dynamic range (HDR) processing.

If the phrase “landscape photography” makes you think of Ansel Adams taking a week to shoot a single photo using a camera the size of a phone booth, think again. All of us shoot landscapes when we’re on vacation or driving along a scenic road.

“One of the most important techniques a landscape photographer needs to master is the U-turn,” Ben once told me.

So whether you specialize in fine-art landscapes or simply like to capture the beauty of the world around you, you’ll benefit from Ben’s creative insights and exceptional teaching ability. Watch a few minutes of Photoshop CS5: Landscape Photography and let us know what you think.