Archive for July, 2011

Changes to the Digital Publishing Suite since the InDesign CS5.5 release

Published by | Monday, July 11th, 2011

View this entire course and more in the lynda.com Online Training Library®.

Back in May of this year, Adobe released a CS5.5 version of InDesign that included some features (in the form of a plug-in) that were expressly designed to create content for Adobe’s Digital Publishing Suite. At the time, we released a course by James Fritz, InDesign CS5.5 New Features, which explored all the new features of Adobe’s layout program, including those DPS tools.

Then in June, the DPS group at Adobe went live with their product and made some changes to the way things worked. We decided to remove some videos and make some edits to James’s InDesign course so as not to give our members confusing or no-longer-accurate information. We also went to work developing a DPS-specific course that will be released soon.

Meanwhile, James has written up an informative account of the changes to DPS as well as the challenges of creating courses that rely on beta software in order to be ready to roll when products release. It reveals some of the ways that bringing our members the most timely content also means having to gracefully ride shifting seas of software development.

Here’s James Fritz’s story:

In Spring of 2010 Adobe and Wired released the first interactive magazine for the iPad. Shortly after this release, a beta program began at Adobe for publishers and designers to start testing and provide feedback on this new system. Over the course of the next year there was a lot of change, which is not uncommon for a beta product. Despite the changes, the workflow for publishing on the iPad remained fairly consistent.

In the beginning, a designer would design the magazine and begin to add some basic interactivity. Eventually, when it came time to add new functions like panoramas or scrolling frames, you would use an Adobe AIR application to embed these features. Over time this separate application was turned into the overlay creator panel and became a part of InDesign.

After adding all of the interactivity the next step was to create it into a format that would be readable on the iPad. This format was called a folio. In order to create a folio file, you needed to take all of your InDesign documents with interactivity and use another Adobe AIR app called the Content Bundler. This app would combine everything into a folio that could be viewed on the desktop or your iPad.

In order to view the folio file on an iPad, you had to go through a process called side-loading. This involved connecting your iPad to iTunes and selecting the folio that you wanted to copy over for testing. This technique is commonly used by other applications to manage files like PDFs or EPUBs.

During the pre-release, most of the testers assumed that this workflow would continue in the shipping product. In fact, we thought that a folio file would be similar to a PDF since it is just an interactive version of an InDesign document for a tablet.

However, once InDesign CS5.5 shipped we learned that the process had changed. The content bundler app was removed and replaced with a panel inside InDesign called the Folio Builder. While the concept behind the panel was the same as the content bundler, the execution was very different. Side-loading was no longer an option to transfer a folio. The new Folio Builder panel would automatically upload the entire folio to the Acrobat.com website and send it to various tablets for testing.

Using Acrobat.com did make it much easier to share your folio with other people since you didn’t have to psychically connect it to your computer. However, it was no longer possible to distribute the folio files by themselves.

When I recorded the videos for InDesign CS5.5 New Features, we had no idea that these changes were going to be taking place. In fact, we recorded videos about how to use the content bundler and folio files for each lesson. In the end, we believed it was better to pull some of the videos and the lesson files from the course to make the training content match the shipping workflow. However, many members have written in asking for the files, so we have restored the chapter 5 assets and created a FAQ explaining how you can use them with the shipping version of InDesign CS5.5. While the videos may not exactly match your screen, the directions provided will give you everything you need to follow along.

We hope you find this additional information useful and helpful to your efforts of learning how to publish from InDesign to the iPad. Meanwhile, you can see the Adobe DPS in its most up-to-date state in the upcoming course from lynda.com, to be published later this month.

 

Apple FCPX: Not what you think it is

Published by | Thursday, July 7th, 2011

Let’s come out and say it: The launch of Final Cut Pro X has been controversial. With FCPX, Apple has released a new piece of software that is not only different from its previous version, but completely different from any other application in its field. I wouldn’t dare tell you whether these changes are right or wrong for your editing workflow. I’m not a journalist or an evangelist. I can’t even say that I’m a video editor—I gave up the freelance editing life nearly three years ago. What I am is a teacher. This is a great time to work for lynda.com, because what editors need most right now is to learn what Final Cut Pro X is really capable of.

Lately, it seems like the Internet has gone crazy over FCPX. Initially, the word was that professional editors were angry about the drastic changes in Final Cut Pro X, while consumers and amateur editors were curious about this new editing tool. But in the last few days, I’ve seen that tide changing a little bit. Professional editors seem to be giving FCPX a bit of a chance. They are learning that it introduces incredible new tools like clip auditioning and connected clips. They are learning that some of the bad things they’ve heard are simply not true, like the rumors that said Final Cut 7 and FCPX could not be installed on the same machine or the rumors that said 3rd party plug-ins were not supported. They are hearing announcements directly from Apple saying that certain valuable features are going to be added via software updates, including Multicam and support for exporting XML.

As a lynda.com Training Producer, I’ve been working closely with author Abba Shapiro, feverishly pushing to record and publish FCPX training in the lynda.com library as quickly as possible. I’ve been learning incredible things about FCPX that have honestly changed my perspective. Abba knows things about this application that nobody else in the world knows about, short of the engineers that built it. I’m thrilled that he is working with lynda.com to get that knowledge out to the world.

Also, I just finished listening to episode #250 of the Macworld Podcast, hosted by another lynda.com author, Chris Breen. In this show, Chris interviewed Gary Adcock, a well known Final Cut and video production veteran. Gary paints a very enlightening and balanced picture of the FCPX release, the reactions of pro editors, and the true potential of the application. It’s clear from listening to Gary that the more professionals learn about FCPX, the more their attitudes are changing.

All of this leaves me with the following conclusion: I can almost guarantee that FCPX is not what you think it is. This is truly a case where learning everything you can about an application is one of the most valuable things you can do. I am extremely proud to be a software trainer right now, and to work closely with Abba Shapiro, an even better software trainer. It’s a joy to watch Abba assemble a piece of training that I know will immediately effect the lives and professional development of thousands of people. When we published Creating an Effective Resume, I felt the same way. Building something that will help people make the right choices in their professional lives is extremely rewarding.

I hope you check out our FCPX courses when they are released in the lynda.com Online Training Library®. And I hope those courses help you make informed decisions for your next video project, whether that be a feature film or cherished family video project. Abba Shapiro is working on two FCPX courses that will be released this month. Here is a quick look at the first one, Migrating from Final Cut Pro 7 to Final Cut Pro X.


Behind the scenes with Stefan G. Bucher

Published by | Wednesday, July 6th, 2011

From our most recent Creative Inspirations release, Stefan G. Bucher, Designer, Illustrator, and Writer, the documentary team is pleased to share some images from our location shooting. We covered a lot of ground with Stefan, from his workspace, to the Echo Park Time Travel Mart, to Skylight books for his book release celebration. As you’ll notice from the film, Stefan doesn’t exactly keep daylight hours. Other than our shoot at his alma mater (Art Center College of Design), we shot entirely at night, including wandering the streets of Pasadena at 3:00 a.m. in search of late-night groceries. The crew is still catching up on sleep. Enjoy!


Series director Scott Erickson with cinematographer Tony Cruz at Stefan’s workspace in Pasadena, California.


Scott and Tony moving through the ‘worm hole’ at the Echo Park Time Travel Mart. (Tony is not blurry, he’s time shifting).


Mmmmm.  Bold mammothy flavor from the Time Travel Mart.


Cinematographer Mia Shimabuku at Skylight Books shooting the release party for Stefan’s latest book, You Deserve a Medal: Honors on the Path to True Love.

Deke’s Techniques: Shooting and assembling a stereoscopic photo

Published by | Tuesday, July 5th, 2011

In this week’s free Deke’s Technique, you’ll see how to create a classic anaglyphic stereoscopic 3D image in Photoshop. Anaglyph images are created by superimposing two slightly different perspectives of the same scene, with each version seen by only one eye or the other, resulting in a sense of depth when your brain fuses the two images into one. In this case, Deke shows you how to create an image intended to be viewed through the old-school red (left) and cyan (right) glasses.

In order to achieve this classic effect, you have to first correctly shoot a pair of images with a slightly shifted perspective, like the ones shown below shot by lynda.com’s own Jacob Cunningham. You can see in the top two images (each with a simulated filter applied), slightly means slightly—as in the distance between your two eyes. Then the two images are placed on separate layers in the same file, and the color channels are turned off so that each of your eyes (with the requisite glasses on) sees a slightly different image. Then, your brain does the rest.

If that’s not enough depth for you, lynda.com members can see an exclusive video in the Online Training Library®, in which Deke (again with the help of Jacob) demonstrates how to create a stereoscopic image with an object projecting out beyond the screen plane.

So grab your cardboard glasses and come experience Deke in 3D! And come back again next week for another free (3D) technique from Deke.

Related links:
Deke’s Techniques
courses on Photoshop in the Online Training Library®
courses by Deke McClelland in the Online Training Library®